000 -LEADER |
fixed length control field |
01187nam a22001697a 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
191115b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781934105238 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
arter |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
Ingilizce |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
700 |
Item number |
KEL 2010 |
100 ## - MAIN ENTRY--PERSONAL NAME |
9 (RLIN) |
1076 |
Personal name |
Kelsey, John |
245 ## - TITLE STATEMENT |
Title |
Rich Texts : |
Remainder of title |
Selected writing for art. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Berlin : |
Name of publisher, distributor, etc. |
Sternberg Press, |
Date of publication, distribution, etc. |
2014. |
500 ## - GENERAL NOTE |
General note |
Compiled for the first time here, the critic, artist, gallerist, dealer, translator John Kelsey's selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates. “When the critic chooses to become a smuggler, a hack, a cook, or an artist,” Kelsey said at a 2007 conference at the Städelschule in Frankfurt am Main, “it's maybe because criticism as such remains tied to an outmoded social relation.” It is precisely this relation that Kelsey intends to not only critique but also to surpass. In this way, Kelsey's “Rich Texts” play the double role of explaining the art world and actively participating in it; they close the distance between the work of art and how we talk about it. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
9 (RLIN) |
110 |
Topical term or geographic name entry element |
Sanat |
Form subdivision |
Yazılar |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Books |